Special Issue Title: Changing Perspectives in Fashion Events
Topicality: The fashion industry is globally important, economically and in terms of consumer culture. The industry has experienced much change over the last few decades with globalized markets, increased competition, internet retailingand overseas production. Fashion also spans a number of genres, from luxury to low-cost to streetwear, this includes sports brands expanding into casual fashion. Given that competition is global, marketing is key to gaining consumer attention and engagement. However, global production and competition has also resulted in criticisms for supply chain ethics and more frequent changes in style that have resulted in the fashion industry being a major polluter. Coupled with digital and technological advancements, consumer expectations are changing; therefore, online marketing is increasingly important and social media and mobile applications are also harnessed within the spectrum of marketing activities. Given the fast pace of change, for both the fashion industry and technology, this special issue seeks to gain an insight into the new and changing roles of fashion events (e.g., fashion shows).
Originality: In the fast-changing world of the fashion industry, it is imperative that researchers and practitioners in the field are kept abreast of the latest trends and developments. After reviewing top marketing journals (e.g., EuropeanJournal of Marketing) and more specialized journals (e.g., Journal of Fashion Marketing and Management), there are few studies on fashion industry’s usage of events when compared to other areas of fashion research, such as online marketing and purchasing behaviors. However, fashion events’ influences on individual, businesses, and society can be profound.
Aims: It is the aim of the special issue to provide insight to fashion industry’s influence on society and businesses by focusing on fashion events. It plans to develop theoretical, conceptual, and practical implications towards a better understanding of fashion events management and marketing in a global / local context.
Fashion event management/marketing
Fashion event in B2B context
Fashion event and social media
Fashion event’s influences
Ethnicity, culture, and fashion event
Fashion event, self, and others
Fashion event’s relationships with luxury fashion brands and fast fashion brands
Globalization/localization and fashion event
Literature review and meta-studies on fashion event
Fashion event programs in higher education
Dr. Elaine Ritch (Glasgow Caledonian University) Glasgow Caledonian University, Glasgow School for Business and Society Cowcaddens Rd, Glasgow G4 0BA Telephone: +44 (0)141 331 8459 Email: Elaine.Ritch@gcu.ac.uk
Professor Norman Peng (Glasgow Caledonian University) Glasgow Caledonian University, Glasgow School for Business and Society Cowcaddens Rd, Glasgow G4 0BA Telephone: +44 (0)141 331 3117 Email: Norman.Peng@gcu.ac.uk
Professor Annie Chen (Roehampton University) Roehampton University Roehampton Ln, London SW15 5PU Telephone: +44 (0)20 8392 3000 Email: Annie.Chen@roehampton.ac.uk
Peer review: This journal operates a double-blind review process. All contributions will be initially assessed by the editor for suitability for Event Management. Papers deemed suitable are then typically sent to a minimum of twoindependent expert reviewers to assess the scientific quality of the paper. The Editor is responsible for the final decision regarding acceptance or rejection of articles. The Editor’s decision is final. This journal uses double-blind review, which means the identities of the authors are concealed from the reviewers, and vice versa.
Text: Clearly indicate all main and subheadings. Follow the APA Publication Manual (6th edition) guidelines for citing references in the text (see below) and for the reference list. All figures and tables must be cited in the text in the orderin which they appear (do not incorporate figures and tables within the body of the text; include at the end of the file, each on a separate page). The file should be arranged as: title-only cover page, title page (following the guidelinesabove under Title Page), abstract and 3 to 5 key words, main body text, reference list, figure legends, tables, and figures (or provide figures in a separate file).
References: The reference list should be arranged in alphabetical order. Follow APA Publication Manual (6th edition) for text and reference list citations, per the examples below. [Note: always provide citation page number(s) for quoted material.] Include in the reference list only those cited in the text and ensure that all text citations have an entry in the reference list.
Text citations: (Gunn, 1990) or (Fesenmaier et al., 1994; Mazanec, 1992, 1993; Uysal & Gitelson, 1994) or (Crompton, 1979, p. 411) (for quoted material). Note that names are to be alphabetical within the parenthetical, NOT by date order.
Journal article: Crouch, I. G. (1994). The study of international tourism demand: A review of findings. Journal of Travel Research, 33(1), 12–23.
Book citation: Witt, E. S., & Witt, C. A. (1992). Modeling and forecasting in tourism. London: Academic Press.
Book chapter in edited book: Frechtling, C. D. (1994). Assessing the impacts of travel and tourism: Measuring economic benefits. In J. R. Brent Ritchie & C. R. Goeldner (Eds.), Travel, tourism, and hospitality research (2nd ed., pp. 367–391). New York: John Wiley & Sons.
Internet Source: Organization for Economic Cooperation and Development. (2009). The impact of culture on tourism. Retrieved from http://www.oecdbookshop.org
Please note that citations such as “personal communication” should be cited parenthetically in
the text only. Do not include in the reference list.
Event Management, an International Journal, has been meeting the research, educational, and analytic needs of the rapidly growing profession focused on global events for more than 20 years. This field has developed and evolved in size and impact globally to become a major business with numerous dedicated facilities and a large-scale generator of tourism. The field encompasses meetings, conventions, festivals, expositions, sport, and other special events. Event management is also of considerable importance to government agencies and not-for-profit organizations in pursuit of a variety of goals, including fundraising, the fostering of causes, and community development.
Event Management aims to continue to be the leading source of research reports and analysis related to all forms of event management. This journal publishes refereed manuscripts, commentaries, research notes, case studies, invited articles,book reviews, and documentation of news and trends. It also invites topical opinion pieces, profiles of organizations, and management case studies.
Event Management is governed by an international editorial board consisting of experts in event management, tourism, business, sport, and related fields. This board conducts most of the manuscript reviews and plays a large role in setting the standards for research and publication in the field. The Editor-in-Chief receives and process all manuscripts, and from time to time will modify the editorial board, ensuring a continuous improvement in quality. The journal, sold by annual subscription, is published six numbers per volume in print and online.
Kenneth Backman Clemson University PRTM Lehstaky Hall Clemson, SC 29634, USA E-mail: email@example.com ASSISTANT EDITOR
Karin Emmons, Clemson University REGIONAL EDITOR UK
EDITORIAL BOARD Emma Abson, Sheffield Business School, Sheffield, UK Charles Arcodia, Griffith University, Nathan, QLD, Australia Jarrett Bachman, Fairleigh Dickinson University, Vancouver, BC, Canada Sheila J. Backman, Clemson University, Clemson, SC, USA Hyejin “Jina” Bang, Florida International University, Miami, FL, USA Glenn Bowdin, Leeds Metropolitan University, Leeds, UK Jose Andres Coca-Stefaniak, University of Greenwich, London, UK Margaret Daniels, George Mason University, Manassas, VA, USA Simon Darcy, University of Technology Sydney, NSW, Australia Anthony W. Dixon, Troy University, Troy, AL, USA Jason Draper, Hilton University of Houston, Houston, TX, USA Zeynep A. Gedikoglu, Clemson University, USA Christian (Chris) D. Hanna, Georgia Southern University, Statesboro, GA, USA Rob Harris, University of Technology Sydney, Sydney, NSW, Australia Tom Hinch, University of Alberta, Edmonton, Alberta, Canada Yu Chih Huang, National Pingtung University of Science and Technology, Pingtung, Taiwan Wendy Hultsman, Arizona State University, Phoenix, AZ, USA Caroline Jackson, Bournemouth University, Dorset, UK David Jarman, Edinburgh Napier University, Edinburgh, UK Xin (Cathy) Jin, Griffith University, Southport, QLD, Australia Maximiliano E. Korstanje, University of Palermo, Buenos Aires, Argentina Brian D. Krohn, Indiana University-Purdue University Indianapolis, Indianapolis, IN, USA Martinette Kruger, North-West University, Potchefstroom, South Africa Grzegorz Kwiatkowski, Koszalin University of Technology, Koszalin, Poland Renuka Mahadevan, The University of Queensland, Brisbane, QLD, Australia Irem Arsal Önder, MODUL University, Vienna, Austria Norman Peng, University of Westminster, London, UK James Petrick, Texas A&M University, College Station, TX, USA Luke R. Potwarka, University of Waterloo, Waterloo, ON, Canada Gregory Ramshaw, Clemson University, Clemson, SC, USA Greg W. Richards, Tilburg University, Tillburg, The Netherlands Debbie Sadd, Bournemouth University, Dorset, UK Sandie Strick, University of South Carolina, Columbia, SC, USA Louise Todd, Edinburgh Napier University, Edinburgh, UK Christine M. Van Winkle, University of Manitoba, Winnipeg, MB, Canada Jon Welty Peachey, University of Illinois, Champaign, IL, USA Kyle M. Woosnam, University of Georgia, Athens, GA, USA Suiwen “Sharon” Zhou, San Francisco State University, San Francisco, CA, USA
Larry Dwyer, University of New South Wales, Sydney, NSW, Australia Joe Jeff Goldblatt, Queen Margaret University, Edinburgh, UK Jafar Jafari, University of Wisconsin-Stout, Menomonie, WI, USA Chris Ryan, University of Waikato, Hamilton, New Zealand Muzaffer Uysal, University of Massachusetts at Amherst, Amherst, MA, USA
Donald Getz, University of Calgary, Calgary, AB, Canada Bruce Wicks, University of Illinois, Champaign, IL, USA
Manuscript submission: Authors should submit manuscripts electronically via email to Kenneth Backman (firstname.lastname@example.org). Follow the guidelines below to prepare the manuscript, figures, and tables.
General manuscript preparation: Manuscripts should be submitted as a Word document, double spaced, with 1-inch margins, with all pages numbered. A cover page with the title only should be included because manuscripts are sent out for blind review. Include figures and tables at the end of the file or provide figures in a separate file attachment. Do not incorporate the figures and tables within the manuscript text. Main and secondary headings should be clearly identifiable.
Title page: This should contain the title of the manuscript, all author names with their titles, and corresponding affiliation(s) for each author, which includes Department, Institution, City (State), Country and email address. The corresponding author must be clearly designated and a complete mailing address and email address for the corresponding author must be included (phone and fax numbers are optional). A short title of approximately 40 characters maximum should also be included.
Abstract and key words: Provide an abstract of up to 300 words. It should contain an abbreviated representation of the content of the manuscript. Major results, conclusions, and/or recommendations should be given, followed by supporting details of method, scope, or purpose as appropriate. Do not cite references in the abstract. Supply 3 to 5 keywords suitable for indexing.
Text: Clearly indicate all main and subheadings. Follow the APA Publication Manual (6th edition) guidelines for citing references in the text (see below) and for the reference list. All figures and tables must be cited in the text in the order in which they appear (do not incorporate figures and tables within the body of the text; include at the end of the file, each on a separate page). The file should be arranged as: title-only cover page, title page (following the guidelines avoveunder Title Page), abstract and 3 to 5 key words, main body text, reference list, figure legends, tables, and figures (or provide figures in a separate file).
References: The reference list should be arranged in alphabetical order. Follow APA Publication Manual (6th edition) for text and reference list citations, per the examples below. [Note: always provide citation page number(s) in the text forquoted material from a printed source.] Internet source references must have a functional URL. Include in the reference list only those cited in the text and ensure that all text citations have an entry in the reference list.
Text citations:(Gunn, 1990) or (Fesenmaier et al., 1994; Mazanec, 1992, 1993; Uysal & Gitelson, 1994) or (Crompton, 1979, p. 411) (for quoted material). Note that names are to be alphabetical within the parenthetical, NOT by date order.
Journal article:Crouch, I. G. (1994). The study of international tourism demand: A review of findings. Journal of Travel Research, 33(1), 12–23. Book citation:Witt, E. S., & Witt, C. A. (1992). Modeling and forecasting in tourism. London, UK: Academic Press. Book chapter in edited book:Frechtling, C. D. (1994). Assessing the impacts of travel and tourism: Measuring economic benefits. In J. R. Brent Ritchie & C. R. Goeldner (Eds.), Travel, tourism, and hospitality research (2nd ed., pp. 367–391).New York, NY: John Wiley & Sons. Internet Source: Organization for Economic Cooperation and Development. (2009). The impact of culture on tourism. Retrieved from http://www.oecdbookshop.org
Please note that citations such as “personal communication” should be cited parenthetically in the text only. Do not include in the reference list.
Use of Copyright Material: Authors must attest their manuscript contains original work and provide proof of permission to reproduce any content (artwork, photographs, tables etc.) in connection with their manuscript, also ensuring their work does not infringe on any copyright and that they have obtained permission for its use. It is important to note that any and all materials obtain via the Internet/social media (including but not limited to Face Book, Twitter, Instagram, etc.) falls under all copyright rules and regulations and permission for use must be obtained prior to publication.
Figures: All figures should be provided in .doc, .tif, .jpg, or .pdf format, at high resolution. Do not incorporate figures within the text of the manuscript. Figures should be prepared without color unless the figure is to be printed in color [note there is a charge for printing figures in color (see Author Options below)]. Avoid light shading that will not reproduce well. Labeling and figure detail must be large enough to be legible after reduction to fit page parameters. Each figure must be cited in the text and legends for all illustrations should be included at the end of the manuscript file. Do not incorporate the figure legend or figure number as part of the figure itself.
Tables: Table material should not duplicate the text. Include a title caption and headings for columns. Avoid very wide or very long tables that would not fit on one printed page. Place tables on separate pages at the end of the manuscript. Cite each table in the text. Do not imbed tables within the text of the manuscript; include at the end of the file, each on a separate page.
Copyright: Publications are copyrighted for the protection of authors and the publisher. A Transfer of Copyright Agreement will be sent to the author whose manuscript is accepted. The form must be completed and returned with the final manuscript files(s).
Author Options: Articles appearing in Event Management are available to be open access and also contain color figures (neither is a condition for publication). Authors will be provided with an Author Option Form, which indicates the following options.
A voluntary submission fee of $125.00 includes one free page of color and a 50% discount on additional color pages (color is discounted to $100.00 per color page).
Open access is available for a fee of $200.00 for up to 15 pages and $50.00 for each additional page. Color would be discounted to $100.00 per color page.
If you choose to have your article be open access, an Open Access form will be sent with the amount due based on the number of pages at proof stage. The Open Access form will need to be completed and returned with payment information and any corrections to the proof prior to publication.
The use of color in articles is an important feature. Your article may contain figures that should be printed in color. There is a charge for figures appearing in color. Cost for color figure in an article $200.00 (if not paying Voluntary Submission Fee or Open Access Fee). A payment form will be provided with your proof if you take advantage of this option, which will need to be completed and returned with any corrections to the proof prior to publication.
Author Option Form: The Author Option form will be sent to the author whose manuscript is accepted. The form must be completed and returned with the final manuscript file(s) even if the answer is “No” to the options. This form serves as confirmation of your choice for the options.
Page Proofs: Page proofs will be sent electronically to the designated corresponding author prior to publication. Minor changes only are allowed at this stage. The designated corresponding author will receive one free copy of the issue in which the article is published and a free pdf file of the final press article will be sent by email.
Disclaimer: Although every effort is made by the publisher and editorial board to see that no inaccurate or misleading data, opinion, or statement appears in this Journal, they wish to make it clear that the data and opinions appearing in the articles and advertisements herein are the sole responsibility of the contributor or advertiser concerned. Accordingly, the publisher, the editorial board, editors, and their respective employees, officers, and agents accept no responsibility orliability whatsoever for the consequences of any such inaccurate or misleading data, opinion, or statement.
The publishers and editorial board of Event Management have adopted the publication ethics and malpractice statements of the Committee on Publication Ethics (COPE) https://publicationethics.org/core-practices. These guidelines highlight what is expected of authors and what they can expect from the reviewers and editorial board in return. They also provide details of how problems will be handled. Briefly:
Event Management is governed by an international editorial board consisting of experts in event management, tourism, business, sport, and related fields. Information regarding the editorial board members is listed on the inside front cover of the printed copy of the journal in addition to the homepage for the journal at: https://www.cognizantcommunication.com/journal-titles/event-management under the “Editorial Board” tab.
This editorial board conducts most of the manuscript reviews and plays a large role in setting the standards for research and publication in the field. The Editor-in-Chief receives and processes all manuscripts and from time to time will modify the editorial board to ensure a continuous improvement in quality.
The reviewers uphold a peer review process without favoritism or prejudice to gender, sexual orientation, religious/political beliefs, nationality, or geographical origin. Each submission is given equal consideration for acceptance based only on the manuscript’s importance, originality, academic integrity, and clarity and whether it is suitable for the journal in accordance with the Aims and Scope of the journal. They must not have a conflict of interest with the author(s) or work described. The anonymity of the reviewers must be maintained.
All manuscripts are sent out for blind review and the editor/editorial board will maintain the confidentiality of author(s) and their submitted research and supporting documentation, figures, and tables and all aspects pertaining to each submission.
Reviewers are expected to not possess any conflicts of interest with the authors. They should review the manuscript objectively and provide recommendations for improvements where necessary. Any unpublished information read by a reviewer should be treated as confidential.
Manuscripts must contain original material and must not have been published previously. Material accepted for publication may not be published elsewhere without the consent of the publisher. All rights and permissions must be obtained by the contributor(s) and should be sent upon acceptance of manuscripts for publication.
References, acknowledgments, figure legends, and tables must be properly cited and authors must attest their manuscript contains original work and provide proof of permission to reproduce any content (artwork, photographs, tables, etc.) in connection with their manuscript, also ensuring their work does not infringe on any copyright and that they have obtained permission for its use. It is important to note that any and all materials obtain via the Internet/social media (including but not limited to Face Book, Twitter, Instagram, etc.) falls under all copyright rules and regulations and permission for use must be obtained prior to publication.
Authors listed on a manuscript must have made a significant contribution to the study and/or writing of the manuscript. During revisions, authors cannot be removed without their permission and that of all other authors. All authors must also agree to the addition of new authors. It is the responsibility of the corresponding author to ensure that this occurs.
Financial support and conflicts of interest for all authors must be declared.
The reported research must be novel and authentic and the author(s) should confirm that the same data has not been and is not going to be submitted to another journal (unless already rejected). Plagiarism of the text/data will not be tolerated and could result in retraction of an accepted article.
When humans, animals, or tissue derived from them have been used, then mention of the appropriate ethical approval must be included in the manuscript.
The publishers agree to ensure, to the best of their abilities, that the information they publish is genuine and ethically sound. If publishing ethics issues come to light, not limited to accusations of fraudulent data or plagiarism, during or after the publication process, they will be investigated by the editorial board including contact with the authors’ institutions if necessary, so that a decision on the appropriate corrections, clarifications, or retractions can be made. The publishers agree to publish this as necessary so as to maintain the integrity of the academic record.
Locals’ Experiences of Hotel Special Event Packages and Their Purchase Intention of Hotel Room Nights – 287 Soyoung Boo and Eerang Park
Predicting Intentions to Revisit and Recommend a Sporting Event Using the Event Experience Scale (EES) – 303 Willem J. L. Coetzee, Craig Lee, and Abrar Faisal
Place Attachment and a Municipal Parks and Recreation Special Event – 315 Keith Fulthorp and Dan Plunkett
Understanding the Adventure Sportscape’s Impact on Consumers’ Destination Image and Event Conative Loyalty – 329 Eric Hungenberg, Melissa Davies, and Andrew Bailey
Measuring the Economic Impact of the Egyptian Exhibition Industry – 347 Adla Ragab and Khaled Wagdy
Examining the Grassroots Participant Legacy of Major Sporting “Supplemental” Events – 363 Stephen Burgess, Scott Bingley, and Gerry Urwin
Comparing Business Models for Event Sport Tourism: Case Studies in Italy and Slovenia – 379 Marko Perić, Vanja Vitezić, and Janez Mekinc
Air Pollution at College Football Games: Developing a Methodology for Measuring Air Pollutant Exposure in a Sport Event Microenvironment – 399 Kyle S. Bunds, Jonathan M. Casper, H. Christopher Frey, and Martin Barrett
Using an Event to Reimage a City and its Port: The 2012 Volvo Ocean Race Finale in Galway – 413 Patrick Collins, Mary Cawley, and Emer Mulligan
Distinguishing Chalk From Cheese: A 3-I “Festivalscape” Typology of Cheese Festival Visitors – 427 Armand Viljoen and Martinette Kruger
Why Standardization of Festival Marketing Might be a Cheesy Affair – 447 Melville Saayman and Andrea Saayman
Steering Clear: A 3-E Typology of Motorcycle Event Visitors – 465 Martinette Kruger and Hanneri Borstlap
Target Marketing of Small-Scale Festival Attendees: A Scoping Study – 483 Aaron Tkaczynski, Chelsea Gill, and Christine M. Van Winkle
Special Issue Visual Methods in Event Studies Guest Editors: Tomas Pernecky and Tijana Rakić
Visual Methods in Event Studies – 179 Tomas Pernecky and Tijana Rakić
Visual Representations of Place: The iD Fashion Show and the “Dunedin Look” – 191 Trudie Walters
Advertising Events: Content and Semiotic Analyses of Cannes Film Festival Posters – 207 Zehra Gokce Sel and Gurhan Aktas
Zooming in: An Arts-Informed Life History Approach to the Analysis of Event Travel Career Narratives – 223 Sandra Goh, Karen A. Smith, and Ian Yeoman
A Multimethods Exploration of Knowledge Sharing Platforms in “Enchanted” Mermaiding Events – 239 Brooke A. Porter
Turfing, Desire Pathing, and Modes of Remembrance and Creative Citizenship Under Surveillance: Visuals Traveling Space—Movement Traveling Time – 255 Ninette Rothmüller
Beyond The Frame: Use of Augmented Screenings as a Visual Methodology in Critical Event Studies – 269 Ian R. Lamond and Laura Agar
Visualizing the Future of Event Studies – 279 Tijana Rakić and Tomas Pernecky
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